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Newsletter 188: Two truths your next event depends on: AI can't create a moment, and marketing can't do it alone
Every two weeks I sit down to write this, and I ask myself: what's the conversation our industry actually needs to have right now? This edition, I landed on two. The first is the quiet tension that lives inside almost every event team: the slow-burning standoff between marketing and production that nobody talks about until something goes wrong on-site.
The second is bigger: in a world where AI can write your agenda, brief your speakers, and summarize your sessions before the last panelist leaves the stage, what is it that only you can do? The answers, it turns out, are connected. Because the events that will win in the years ahead won't be the most technically flawless, they'll be the ones built by people who understand human connection deeply enough to engineer it. That starts with getting your own house in order.
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Why Marketers and Event Professionals Need Each Other, And How to Stop Fighting
Let me tell you about the most expensive misunderstanding in business.
A marketing team spends three months crafting a flawless brand experience for their annual conference. They've nailed the messaging, the visuals, the VIP touchpoints. Then, six weeks out, they hand it to an event producer. The producer stares at the brief. Then delivers the news. The venue can't support the LED wall. The caterer needs a guarantee that was due two weeks ago. The "wow moment" the CMO loves will violate fire code. And by the way, where's the load-in schedule?
This scene plays out in companies all over the world. Every week.
And here's the uncomfortable truth hiding in the middle of it:
Events are now a core marketing channel. But most marketing professionals have never been trained to run them.
That's not a criticism. It's an invitation.
First, Let's Be Honest About Both Sides
I've spent over 30 years producing events, corporate launches, arts galas, international conferences. I've sat across the table from brilliant marketers who didn't know what a load-in window was. And I've worked with gifted producers who thought brand storytelling was someone else's problem.
Both sides mean well. Both sides are right about some things. And both sides have real blind spots.
When Marketers Lead Without Production Expertise
Marketing professionals are exceptional at audience insight, storytelling, and brand consistency. But when they organize events without the right production knowledge, predictable things go wrong:
• Venue love at first sight. The rooftop terrace is gorgeous. The loading dock is non-existent. Production gets called in late and retrofits at triple the cost.
• "Let's just add..." A live podcast stage. A photo booth. An influencer lounge. Each addition seems small. None account for floor plan ripple effects.
• Budget allocated to the visible, not the critical. Video walls get funded. Waste removal, security, and AV contingency do not.
• Campaign timelines applied to live operations. Marketing works in sprints of weeks. Production works in Gantt charts of months.
When Event Professionals Work Without Marketing Alignment
Producers deliver reliability, safety, and budget control. But without marketing integration, a different set of problems emerges:
• Flawlessly executed. Completely forgettable. The audio is perfect. The lighting is seamless. And the room feels like a beige box.
• Brand blindness. The convention center has excellent loading docks and zero ambiance. Marketing's identity never had a chance.
• The post-event void. Once the last attendee leaves, the job is done. No session recordings. No lead list. No social content. Marketing has nothing to show for the investment.
The core truth: Marketing treats an event as a campaign deliverable, creative, flexible, audience-first. Production treats it as a live operation, technical, sequential, safety-first. Neither is wrong. Both are incomplete.
The Skills Gap Nobody Talks About
Here's what makes this particularly interesting for anyone in marketing or brand management:
Events have become one of the most powerful tools in the modern marketing mix. B2B companies routinely cite events as their top channel for pipeline generation. CMOs are being asked to own event strategy, not just sponsor it.
And yet, there's no standard training for it. Marketing degrees don't cover it. Most brand managers learn by doing, which means learning by occasionally getting it wrong.
The good news? This gap is completely closable.
My mentor Dianne Devitt runs a Certificate in the Business of Meetings & Events, a program specifically designed to give marketing and business professionals the production literacy they're missing. Not to turn marketers into producers, but to help them speak the language, ask the right questions, and lead events with confidence.
If you've ever found yourself in the scenario I described at the top, or if you want to make sure you never do, it's worth a look.
The Translation Problem
A lot of the friction between marketing and production is actually a language problem. Here's a field guide.
What Marketers Say vs. What Producers Hear
Marketer Says | Producer Hears | What's Actually Needed |
|---|---|---|
"We need a wow moment" | "Expensive and impossible at the last minute" | "Help me plan surprise within real constraints, give me options and lead times" |
"Can we add a VIP lounge?" | "You forgot to plan for stakeholders" | "Yes, tell me the cost in dollars and square footage so I can get approval" |
"The keynote changed" | "You didn't manage your speaker" | "I need revised AV requirements and runtime. How quickly can we adapt?" |
"That's not possible" | "You're killing my creativity" | "Explain the constraint, time, money, or safety, so we can find a workaround" |
What Producers Say vs. What Marketers Hear
Producer Says | Marketer Hears | What's Actually Needed |
|---|---|---|
"We need a load-in buffer" | "You want to waste budget" | "What breaks without this buffer? I will accept documented risk" |
"No changes after Friday" | "You're being rigid" | "Freeze the run-of-show. Park future ideas for the next event" |
"That violates fire code" | "You're looking for excuses" | "Let me show you the regulation and offer a compliant alternative" |
"The AV needs 4 hours" | "You're slow" | "That's the union minimum, I can't change it, but I can overlap other work" |
How Collaboration Actually Works
When marketing and production stop treating each other as obstacles and start treating each other as the two hemispheres of the same event brain, the work looks like this:
Before the Event: One Page, Two Realities
Before any planning begins, both sides co-author a single brief that answers:
1. What does success look like for marketing? (Leads, NPS, brand lift)
2. What does success look like for production? (Zero overtime, no incidents, on-budget)
3. What is each side's non-negotiable?
4. What kills the event for each side?
5. Who has final call for each phase? (Strategy: marketing. Logistics: production. On-site crisis: shared.)
During the Event: Separate Rooms, One Goal
Two command centers, one bridge:
Room | Staff | Purpose |
|---|---|---|
Production Office (back of house) | Producer, AV lead, tech crew, venue ops | Load-in, audio, lighting, stage management, vendor coordination |
Marketing Command (front of house) | Marketing lead, social media, VIP host | Speaker check-in, influencer management, real-time social, crisis comms |
The No-Surprise Rule: Marketing doesn't approach AV techs directly. Producers don't cancel creative elements without informing marketing. Either side can call a "hold", production for safety, marketing for brand reputation.
The debrief isn't a blame session. It's a Start / Stop / Continue conversation:
| Marketing Asks Production | Production Asks Marketing |
|---|---|---|
Start | "Give me a weekly risk register so I'm not surprised on-site" | "Give me final creative four weeks out, not one week out" |
Stop | "Saying 'no' without offering an alternative" | "Adding sessions after the freeze date" |
Continue | "Protecting the run-of-show on-site" | "Bringing the creative energy, it makes events memorable" |
Five Questions for Your Next Event
Before your next planning kickoff, ask your team these:
1. Does marketing know the venue's load-in window and union rules?
2. Does production know the NPS target and lead generation goal?
3. Is there a documented change control process after the freeze date?
4. Will there be separate command centers with a dedicated bridge?
5. Who has final call for safety? For brand reputation?
If you answered "no" to two or more: stop. Build the collaboration framework before you build the run-of-show.
The Real Takeaway
Marketing and production are not rivals. They are the left and right hemispheres of the same event brain.
Marketing brings the emotion, the story, the audience intuition, the creative ambition. Production brings the timeline, the budget discipline, the risk assessment, the logistical precision.
When they fight, the event loses. Attendees feel the friction. Budgets bleed. Brands suffer.
When they collaborate, with clear roles, shared metrics, and a single definition of success, the event becomes something rare:
Effortless for attendees. Profitable for the business. Memorable for everyone.
That's not a marketing event or a production event. That's just a great event.

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Last month, an event planner told me her conference had gone perfectly. Flawless AV. Speakers on time. Not a single logistical hiccup. And yet, driving home that evening, she felt strangely hollow. "People showed up," she said, "but they never really arrived." That gap, between an event that runs smoothly and one that actually moves people, is the defining challenge of our industry right now. And understanding it may be the most important thing any of us can do.
We are living through a strange paradox. Technology has never been more capable, more accessible, or more impressive. AI can write your marketing copy, build your agenda, personalize attendee schedules, generate presentation visuals, and summarize sessions before the last speaker has left the stage. And yet, for all that power, something is slipping through the cracks. The more content floods our feeds, polished, optimized, and increasingly artificial, the more people are showing up to live events hungry for something that an algorithm simply cannot deliver.
Technically Perfect Is No Longer Enough
For years, the events industry competed on production value. Massive LED walls. Complex stage designs. Perfectly timed transitions. Fun surprises, think augmented reality, or cool installations on the exhibition floor. And for a while, that was enough. Audiences were impressed by scale, dazzled by technology, satisfied by a well-run show.
That era is ending.
Today's attendees arrive overstimulated. They have already consumed a week's worth of webinars, podcasts, newsletters, and AI-generated summaries before they walk through your doors. Information is not what they are missing. What they are missing, and quietly craving, is meaning. Connection. The feeling of being in a room where something real is happening. Somewhere where they are seen.
This is why an event can check every operational box and still fall flat. Attendance numbers, sponsor visibility, smooth logistics, these things still matter. But they are no longer the whole story. Audiences are now asking a deeper question: How did this make me feel? And that emotional dimension is fast becoming the true measure of a successful event.
AI Is Raising the Stakes for Human Experiences
Here is the irony that should give every event professional genuine optimism: the rise of AI is not diminishing the value of live events. It is amplifying it.
As the digital world becomes more automated, more curated, and more artificial, genuine human experiences become rarer, and therefore more precious. People do not attend conferences simply for information anymore. They attend for belonging. For the unexpected conversation in the hallway that shifts their thinking. For the chance meeting with an industry colleague who they have not seen for a while. For the speaker who says the thing everyone in the room was afraid to say out loud. For the collective energy of a group of people leaning into a shared moment together.
None of that can be manufactured. AI can organize your event. It cannot create the emotional electricity when a room of strangers suddenly becomes a community. It cannot replicate the trust that forms between two people who lock eyes across a table and realize they have been wrestling with the same problem. It cannot replace the feeling of being truly seen and understood in real time.
That is still profoundly human work. And it is becoming more valuable, not less.
The Planner's Role Is Changing, For the Better
This shift is also quietly redefining what it means to be great at this job.
For decades, the industry positioned event planners primarily as logistical experts, coordinators, project managers, operations specialists. Those skills remain essential. But they are no longer sufficient on their own. The most valuable event professionals of the next decade will be those who understand how to design emotional journeys, not just operational timelines.
Think about what this actually requires. The opening session doesn't just inform, it establishes psychological safety and sets the emotional tone for everything that follows. A networking break doesn't just fill time, it either creates connection or it creates awkwardness, and the difference often comes down to design choices made weeks in advance. Room layout influences participation. Speaker tone shapes whether people feel safe enough to engage. Even the music playing as attendees walk in sends a signal about what kind of experience this is going to be.
Small moments carry enormous emotional weight. Experienced planners have always known this instinctively. The opportunity now is to name it, own it, and build it into how we position our work, because these are exactly the skills that automation cannot replicate.
Event planners are becoming experience architects. And that is a far more interesting, far more irreplaceable role than logistics coordinator.
What Audiences Actually Remember
Ask yourself honestly: what do you remember about the last event that genuinely moved you?
Chances are, it is not the production quality. It is not the slide design or the app or the swag bag. It is a moment. A conversation. A speaker who said something that cracked something open in you. A room that felt, for a few hours, like a place where you actually belonged.
That is what people are paying for now, even if they cannot always articulate it. They are paying for presence. For the feeling of being fully immersed in a shared moment with other human beings. For an experience that leaves an emotional residue long after they go home.
The events that will win in this environment are not necessarily the largest or the most expensive. They are the ones built with emotional intentionality, where the organizers have asked not just what will happen but how do we want people to feel, and designed backwards from there.
The Opportunity in Front of Us
This is actually an extraordinary moment to be working in events if you are willing to evolve.
AI will continue to handle more of the administrative and logistical burden. Automation will free up time. Data will get more sophisticated. And all of that is genuinely useful. The planners who embrace these tools thoughtfully will have more capacity to focus on the work that matters most: the human-centered, empathy-driven, creatively demanding work of designing experiences that actually change people.
The future of this industry does not belong to those who execute the most flawless run sheet. It belongs to those who understand human connection deeply enough to engineer it, to create environments where strangers become communities, where ideas become experiences, where attendees leave not just informed but genuinely transformed.
In a world increasingly shaped by artificial intelligence, that ability to create something irreducibly human may turn out to be the most valuable professional skill of all.
The question is not whether AI will change events. It already is.
The question is whether you will use that shift to double down on what only you can do.
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